Harriet Lee-Merrion's series of illustrations, based on the Haruki Murakami novel, After Dark.
Wednesday, 2 April 2014
Harriet Lee-Merrion Illustration
Harriet Lee-Merrion's series of illustrations, based on the Haruki Murakami novel, After Dark.
Lee Price Photorealistic Painting.
Lee Price's incredibly detailed, photorealistic paintings depict a woman eating food in various private spaces. Price documents this relationship with food in a beautiful way.
Tuesday, 1 April 2014
Caitlin Hackett Illustration.
Caitlin Hackett's Contemporary Mythology series of large scale, dark, detailed illustrations. Dark and a bit disturbing.
Pedro Abreu, Street Photography.
Pedro Abreu's Ghosts in the Streets series sits somewhere between documentarian style photography and fine art photography.
Monday, 31 March 2014
New Work by NYC Based Painter, Mimi Young.
Mimi Young describes her paintings as being influenced by the urban landscape of New York City.
Sunday, 30 March 2014
Sandra Dieckmann Illustration
Sandra Dieckmann's lovely, detailed illustrations of animals and other characters.
A Quick Chat With Ada Hamza
Ada Hamza's photography was featured earlier here, she answered a few questions about her work, this is what she had to say.
Stickerpaper:
How would you describe your work in your own words?
Ada Hamza:
I would describe my photography as vernacular. I tend to have a personal approach no matter what I shoot and through the process of creating a series of photos I'm always searching for humour and subtleness.
I enjoy shooting people very much but somehow I always end up shooting nature and urban environments, and that's probably because I'm a little shy, but I'm very interested in human behaviour and intimate spaces, so I'm planning to make some portraits and work with people more in the future.
Stickerpaper:
Where would you say you get inspiration from?
Ada Hamza:
Inspiration is a thing that comes from everywhere and many times we are not aware of it. It's a mosaic of subconscious, memories, motion, smell, light, art, people....
Stickerpaper:
Finally, are there any artists you would compare your work to?
Ada Hamza:
I would feel uncomfortable and pretentious if I had to compare my work to the work of somebody who I admire and look up to so I will keep this a secret. I believe it's easier for other people to see similarities, because as an an artist it's very difficult to have an objective view of your own work.
www.adahamza.com
Saturday, 29 March 2014
Mishka Henner's Feedlot Series
Mishka Henner's satellite photos of U.S feedlots look like abstract paintings until you read into what they actually are.
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